The exhibition La Femme de Cabine by Jonathan Hallam highlights a unique aspect of Maison Martin Margiela's legacy, focusing on the often-overlooked "cabin girls" who worked backstage during the brand’s early shows. Spanning from 1997 to 2004, Hallam's portraits emphasize anonymity and collectivism, reflecting Margiela's ethos of shifting attention away from the individual to the broader narrative of fashion as a collaborative effort. The works were created using innovative photographic techniques, resulting in painterly, textured images that blur the boundaries between fashion documentation and fine art.
