In 1997, Issey Miyake introduced the groundbreaking A-POC concept. A-POC stands for “A Piece of Cloth,” and it revolutionized the way we think about fashion design and garment construction. The core idea behind A-POC was to highlight the two-dimensional quality of fabric while minimizing waste. Instead of creating garments from pre-cut patterns, Miyake’s A-POC garments were produced in machine-made rolls of knit fabric. These rolls came pre-sewn or fused with finished patterns. The wearer then cut the desired pattern directly from the roll, creating a ready-made, customized garment. It was a brilliant fusion of technology, sustainability, and individual expression.
SS 1999 featured a vibrant color palette, including bold reds, blues, and yellows. Miyake’s use of color was expressive and energizing. Fabrics ranged from lightweight knits to more structured textiles. The red connected dress, in particular, showcased the versatility of the A-POC technique.
The red connected dress was a standout piece in the collection. The dress was seamlessly connected from top to bottom, emphasizing the continuous roll of fabric. It defied traditional seams and closures. The A-POC technique allowed the dress to flow effortlessly around the body. It adapted to the wearer’s shape, creating a harmonious silhouette. The vibrant red hue symbolized passion, energy, and confidence. It was a statement piece that demanded attention. Miyake kept embellishments minimal, allowing the fabric and construction to take center stage. Wearers could adjust the length, neckline, and sleeve style by cutting along the fabric lines. The dress was both artistic and practical—a testament to Miyake’s fusion of form and function.
